Teatro Alla Scala 1983 production of three one-act operas from Puccini.

Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.

Juan Pons, Barbara Frittoli, Mariana Lipovsek, and Leo Nucci star in this 2008 La Scala production of the Puccini trilogy (Il Tabarro, Suor Angelica, and Gianni Schicchi) conducted by Riccardo Chailly.

A trio of operas in three short stories - the first a gruesome murder melodrama, the second is a passionate tearjerker, and the third is a dark comedy of death and an inheritance. Each story is strikingly different from the preceding one.

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Finding the right librettos was not easy, but one month after the end of the First World War, his triptych – the grim tragedy Il tabarro, the lyrical and sensitive Suor Angelica, and the comedy Gianni Schicchi – premiered in New York. Three different eras, three different settings, three different ‘colours’; though for Puccini, it is through the contrasts between them that the unity of the work is revealed. For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.

The farce Gianni Schicchi is the triptych’s third and final chapter. In 2012 at the Puccini Plus Festival, the Opéra de Lyon presented Puccini’s Il trittico over the course of several evenings. The plot is set in Florence in the 13th century. The elderly Buoso Donati has just died and willed all of his worldly goods to the clergy. His panic-stricken family calls on Gianni Schicchi, who decides to impersonate the deceased man in order to dictate a new will to the notary. Malicious and strategic, Schicchi takes advantage of the situation to steal the old man’s belongings for himself. The triptych's final installment, this unconventional operatic masterpiece closes on the radiant smiles of its comedic lovers.

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对比是贾科莫·普契尼歌剧三联剧《三联剧》（Il trittico）的精髓所在。构成这部三部曲的独幕剧——《外套》（Il tabarro）、《修女安杰丽卡》（Suor Angelica）和《贾尼·斯基基》（Gianni Schicchi），涵盖了从残酷的情节剧到鼓舞人心的喜剧等不同类型。虽然每一部歌剧都能独立成篇，但三部作品合在一起营造出一种完整事件的感觉，充满了丰富的情感层次和多样的音乐形式。《三联剧》首演于……